
10x8 Oil on linen panel painted from life 12/22/09 started 7:30 am completed 8:00 am
We are a group of plein air artists living in the Southern USA. We will post images of paintings (for sale), upcoming workshops, paintouts, and general information concerning painting en plein air.

8"x10" oil on RayMar panel, painted en plein air, alla prima, on November 13th (completed at 11:20am)...$85 including shipping. In trying several different painting ideas, I had pre-toned some canvas panels using alizarin crimson, cad yellow and ultramarine blue --- brushing the thinned paint on in a somewhat planned but otherwise haphazard way. Letting the toned canvas peek through serves to unite the painting. The pear trees, with their red foliage, contrasted with the evergreens nearby. As noontime approached, shadows were quickly disappearing. Although it appears that black paint was used, it was actually a mixture of ultramarine blue and burnt umber. Contact beejw@charter.net for purchase.

Its oil, 8 x 10, from life or plein air. I painted it today at lovely Heathcote Botanical Gardens here in Fort Pierce. I have started our paintouts for the season today, next tuesday morning we will be painting here again. You are welcome to come join us or just watch. It was perfect today, not too hot or cold with a nice breeze. $300.
10"x8" oil on RayMar panel, painted en plein air, alla prima on September 20th 2009 (completed at 1:05pm)...$85 including shipping...The annual "Battle of Tunnel Hill" Civil War reenactment weekend was rainy, muddy and overcast. But that didn't dampen the spirits of the artists who painted onsite both days. Contact me for purchase at beejw@charter.net.

8"x10" oil on RayMar panel, painted en plein air, alla prima, on September 8th (completed at 10:30am)...$85 including shipping....This was a rather interesting painting being somewhat of an experiment. I had pre-toned the panel using random areas of ultramarine blue, yellow ochre with alizarine crimson designating the focal point which was the stand of trees in the upper left. In the actual painting, my palette consisted of yellow ochre, indian red, prussian blue and white. I may have used a touch of ivory black in the greens. Using a limited palette in the toning process, then using another limited palette in the final painting is something I'll explore further.


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